Allan Sekulas und Noel Burchs kluger und brilliant visualisierter Filmessay rekonstruiert die Beschleunigung und den Rationalisierungsschub des Welthandels auf den Meeren und kritisiert die daraus resultierenden ökonomischen und sozialen Verwerfungen.
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In a small Hutsul village in the Carpathian Mountains of Ukraine, a young man, Ivan, falls in love with the daughter of the man who killed his father. Though their families share a bitter enmity, Ivan and Marichka have known each other since childhood. In preparation for their marriage, Ivan leaves the village to work and earn money for a household. While he is gone, Marichka accidentally slips into a river and drowns while trying to rescue a lost lamb. Ivan returns and falls into despair after seeing Marichka's body. He continues to work, enduring a period of joyless toil, until he meets another woman, Palahna, while shoeing a horse. Ivan and Palahna get married in a traditional Hutsul wedding in which they are blindfolded and yoked together. The marriage quickly turns sour, however, as Ivan remains obsessed with the memory of Marichka. Estranged from her emotionally distant husband, Palahna becomes involved with a local molfar Yurko, while Ivan begins to experience hallucinations. At a tavern, Ivan sees the molfar embrace Palahna and strike one of his friends. Roused into an uncharacteristic fury, Ivan snatches up his axe, only to be struck down by the molfar. Ivan stumbles into the nearby woods and perceives Marichka's spirit to be with him, reflected in the water and gliding amongst the trees. As reality merges into dream, the colourless shade of Marichka reaches out across a great space and touches Ivan's outstretched hand. Ivan screams and dies. The community gives him a traditional Hutsul burial while children watch through cross braced windows.
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